Press
Singing with lyrical beauty and dramatic nuance, Christine Taylor Price’s Amalia… was ideally cast, good-looking and always period-appropriate in demeanor.
– David Shengold, Opera News
Christine Taylor Price is captivating as Amalia. She is vulnerable, lovable and strong. Price also has an angelic voice. Lovers of the show want to know one thing about the performance. How does she handle the song “Vanilla Ice Cream.” Answer is – she nails it! And everything else she sings.
Bob Geopfert, The Saratogian
In the second act, soprano Christine Taylor Price as Amalia took the final refrains of the song “Vanilla Ice Cream” into her powerful head voice as only an opera diva can. The song is about the dawning of genuine love, and in this performance, there was nothing vanilla about it.
– Joseph Dalton, Times Union
As Angèle, Christine Taylor Price treated the audience to silvery tones of soprano suppleness. Price made the role seem ideally suited to her, with easy top notes and a velvety middle range. She also held the stage well, convincing us of her complicated romantic life and eventual good luck
– Kevin McLaughlin, Cleveland Classical
Christine Taylor Price’s Angèle was quite gorgeously sung…
– Harry Forbes, Operetta Research Center
L’Elisir d’Amore
Singing the role twice in a single day, Price was a rare Adina who both possessed the requisite prowess in range and fiorature and used it to communicate affectingly honest emotions. Price’s voicing of the aria ‘Prendi, per me sei libero’ shimmered with Adina’s love… delicately-phrased, radiantly punctuated, dulcet singing… seemed to come as much from the heart as from the vocal cords.
– Joseph Newsome, Voix des Arts
The Merry Wives of Windsor
Soprano Christine Taylor Price shone as an intelligent, commanding Alice Ford, unleashing roulades of accusatory coloratura with crystalline purity, fierce feminine pride and a nuanced inner life.
– Joanne Sydney Lessner, Opera News
The Turn of the Screw
Especially expressive [was] Price, who sang in tones stricken and resolute.
– Peter Tonguette, The Columbus Dispatch
Die Zauberflöte
The voices were excellent across the board, with particular kudos to Christine Taylor Price’s gutsy Pamina…
– Joanne Sydney Lessner, Opera News
La finta giardiniera
Serpetta, portrayed by gifted soprano Christine Taylor Price… dazzled us with [her] coloratura.
– Meche Kroop, Voce di Meche
Juilliard Songfest
Soprano Christine Taylor Price has a pure crystalline sound that soars into the stratosphere. We have enjoyed reviewing her work on prior occasions but don’t recall hearing her sing Strauss; her instrument is just perfectly Taylor-ed (pardon the pun) for it… To hear her spin out a pianissimo line is to experience pure auditory joy… the gentle “Traum durch die Dammerung” in which her vocal colors matched the text “weiches samteness Band”–soft velvet ribbon indeed!
– Meche Kroop, Voce di Meche
Bastien und Bastienne
Christine Taylor Price (Bastienne) is a fine soprano with a light lyric sound… well suited to many Mozart roles;
– David Gregson, Opera West
How About an Armani for Your Aria?
Soprano Christine Taylor Price.
– New York Times